Итак, что же эта за фор­ма. Как ви­ди­те слож­но­го тут ни­че­го нет, до­ста­точ­но по­нять суть, в чем я и по­пы­та­юсь по­мочь вам по­сред­ст­вом ни­жес­ле­ду­ю­щих при­ме­ров:. Речь в этом уро­ке пой­дет о та­кой за­ме­ча­тель­ной и ин­те­рес­ной фор­ме в грам­ма­ти­ке араб­ско­го язы­ка, ко­то­рую оте­чест­вен­ные фи­ло­ло­ги на­зы­ва­ют status constructus или иза­фет. А это де­ла­ет­ся очень прос­то, по­сред­ст­вом вто­рой час­ти фор­мы, ко­то­рая на­зы­ва­ет­ся му­даф иляй­хи, что озна­ча­ет «то, к че­му идет при­мы­ка­ние». Со­сто­ит Status constructus она  из име­ни су­щест­ви­тель­но­го име­ни­тель­но­го па­де­жа с окон­ча­ни­ем «у» без..

По поводу размещения своих материалов можете обратиться к нам через вкладку [КОНТАКТЫ] или [Добавить статью/урок], будем рады любому сотрудничеству. Надеемся что вы найдете на нашем сайте полезную для себя информацию. Как мы уже зна­ем из прош­лых уро­ков, пред­ло­ги об­ра­зу­ют из по­сле­ду­ю­щих имен су­щест­ви­тель­ных име­на в ро­ди­тель­ном па­де­же с окон­ча­ни­ем «и» ли­бо «ин» в за­ви­си­мос­ти от их опре­де­лен­нос­ти. Пер­вая часть фор­мы му­даф в пред­ло­же­нии хуа аля мак­та­би аль-му­дар­ри­си под­вер­га­ясь воз­дей­ст­вию пред­ло­га аля ока­зы­ва­ет­ся в ро­ди­тель­ном па­де­же. Те­традь нам из­вест­на, мы во­очию зна­ем ее цвет, вид, раз­мер и т. Хо­тя, как я уже ска­зал, вто­рая часть мо­жет со­сто­ять из сло­во­со­че­та­ния (су­щест­ви­тель­но­го и при­ла­га­тель­но­го), ли­бо из ма­лень­ко­го имен­но­го или гла­голь­но­го пред­ло­же­ния, ну об этом я рас­ска­жу в бо­лее про­дви­ну­тых уро­ках. И это пра­виль­но, име­на соб­ст­вен­ные в араб­ском язы­ке уже по су­ти сво­ей яв­ля­ют­ся опре­де­лен­ны­ми и не тре­бу­ют на­ли­чия ар­тик­ля аль, хо­тя в спря­же­ни­ях вы­гля­дят не опре­де­лен­ны­ми..

Со­сто­ит эта часть так­же из име­ни су­щест­ви­тель­но­го в ро­ди­тель­ном па­де­же с окон­ча­ни­ем «ин» ли­бо «и» в за­ви­си­мос­ти от на­ли­чия ар­тик­ля аль. Мы стараемся размещать самые интересные материалы в области арабского языка и литературы, а также истории, культуры, традиции арабских стран, Азии и Востока. Гла­го­лы и пред­ло­ги в обе­их час­тях ис­клю­че­ны. В при­ме­рах сни­зу вы за­ме­ти­те, что вто­рая часть  status constructus му­даф иляй­хи со­сто­ит из имен соб­ст­вен­ных без ар­тик­ля аль..

Не смот­ря на за­мыс­ло­ва­тое на­зва­ние дан­ный вид мор­фо­ло­ги­чес­ко­го вы­ра­же­ния яв­ля­ет­ся очень лег­ким в по­ни­ма­нии. В пер­вом при­ме­ре са­ма кон­струк­ция яв­ля­ет­ся по су­ти не опре­де­лен­ной. Да­же  са­мые про­с­тые на пер­вый взгляд. Поч­ти ни од­но араб­ское пред­ло­же­ние не мо­жет обой­тись без не­го. Тет­радь при­мы­ка­ет к учи­те­лю, т. Так вот, если ар­тикль аль при­сут­ст­ву­ет во вто­рой час­ти, то мож­но по­нять, что дан­ная фор­ма по су­ти яв­ля­ет­ся опре­де­лен­ным, а если ее нет, то со­от­вет­ст­вен­но речь идет о не опре­де­лен­ном объ­ек­те..

И учи­тель нам из­вес­тен и мы зна­ем, что его зо­вут, там, Бо­рис Пет­ро­вич. Не из­вест­но ка­кая тет­радь и о ка­ком учи­те­ле идет речь. А не слов, так как бы­ва­ет, что вто­рая часть мо­жет со­сто­ять из сло­во­со­че­та­ния или пред­ло­же­ния. Что бы ее быст­ро по­нять нам не­об­хо­ди­мо усво­ить не­ко­то­рые пра­ви­ла ее по­стро­е­ния:. Как бы опре­де­ля­ет ее при­над­леж­ность к учи­те­лю. Во вто­ром при­ме­ре все пре­дель­но яс­но..

Status constructus

[Patrick Griffin revived Coffee Script in 2010 as Middleton Brush. Elsner and Flake published the script font Graphis (1934, revival by Jürgen Brinckmann). Typefaces from 2013: Cat Eyes, Stay True, Where Wolf, The Sound, Royal Jelly, Grumpy Cat, Aku Cinta Kamu, Yellow, Innovation, Invisible Man, Archieve, Electro Magnet, Bamboo Chopsticks, Valentine’s Day, True Love, Club Golf, Your Smile, Guitar On Stage, Karate (oriental simulation), Recognition, Sleeping Beauty (plump lettering), Gelombang Radio, Frozen Ice, Sport Center, Reflection, Enjoy The Time, Fillet O Fish (brushed caps), Artistic, Flower Generation (psychedelia), Heart Shaped, Adore You, Jelang (textured typeface), Stargazer, Army Of Me, Xtreme Bike, Atomic, Fancy Curly, Mastermind, Scientist, Brother, Bahasa Indonesia (sans), Cyber, Photography, Super Creative, Black Stallion (script), Cartoon, Exposure (shadow face), The Ticket, Mercury (retro-futuristic), Agriculture (lava lamp typeface), Electronic, Transformation, The Night (gothic typeface), King Cobra, Bionic Heart, Goddess of Fortune, Guitar Acoustic, Magenta Flower, Java Island (lava lamp typeface), Ready Steady Go, Cute Monster, High Speed, Machine Gun, Random Face 1 (dingbats), Dear Diary, Shinobi Ninja, Stranger (octagonal), Discovery, Translation, Japan (oriental simulation), Digital Gothic, Techno, Butterfly (lava lamp typeface), Candlelight (eax drip face), Maverick, Movie Script Ending, Monochrome, Japan, Chunky Bar, The Greatest High (blackboard bold), Featured, Random Thing 1 (cartoon dingbats), Straw Hat, Where Are You, Plant On Lawn, The Innocent Face, Beat of Drum, ASDFA, Creamy Butter, Monster Rock, Plumbing, Mexicano Chili Sauce, Air Show (bubblegum face), This Is True, Fresh Mint, Laser Gun, My Game, Black Mamba, Drako Heart, Children Stories, Play The Game (with a McDonald’s M), Let it be, Everlasting Song, Logotype, Blessing Son, Wino Sutarmin Kadir, Bad Boy, Bold and Blue, Quantum (sci-fi face), Oceanography, Elementary, Sailorman, Heart And Love, High Thin Light, Vintage Postcard (spurred), The Bartender (spurred), Inside The Boxes (rhombic type), Herbalism, Happy Home (lava lamp typeface), Wave Zone, Market Leader, The Monkey, Engine Power, Gamer, Story Telling (lava lamp typeface), High Flagship, Back to Nature, The Quick Motorcross (bilined, caps only, with a McDonalds M), Fisherman (lava lamp typeface), Step Forward, King of Pirate (art nouveau caps), Heritage, High in Love, Thin Decorative (spurred typeface), Little Cowboy, What The Fun, Aha Experience, Glitch (pixel face), Portable. Art nouveau typefaces: Acadian, Agravain (2009), Amphitryon (2009), Ariosto, Asphodel, Averoigne, Beaumains (2011, based on J. Aris borrows ornamental details from Arabic.

[Google] [More]  ⦿ Katarzynow Graphic designer and illustrator in Poznan, Poland, who created the Cerna Hora and Shakira (Arab look glyphs) typefaces in 2009. His 2007 fashionably elegant Vogue-style sans typeface Mondän is stunning. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Finally, Prince of Persia (2012) is an Arabic simulation typeface based on the logo of a game by that name. Avil (1904, Inland Type Foundry).

[Google] [More]  ⦿ Manfred Klein
[Manfred Klein’s Fonteria]
[MyFonts] [More]  ⦿ Manfred Klein’s Fonteria
[Manfred Klein]
Frankfurt-based designer (b. Her typefaces include: African Shield (2005). Lale (2014), which won an award in the TDC 2015 Type Design competition, uses the opentype features to set up a font system for flowers. Fonts made in 2001: Carmen Caps, Crazy Harold (2001, based on a font of the same name, as illustrated in Paul E. Inside state spam site or maltreatment, click the ‘a’ In the upper the right way corner.

Eccentric is a digitization of a 1898 arts and crafts typeface by Kingsley/ATF. Most of the foundry’s designs are based on authentic historical sources, gleaned from the massive collections of the Library of Congress. He also runs the educational web site ProDTP. [Google] [More]  ⦿ Urvi Gokani Thane, India-based designer of an Arabic simulation font in Devanagari (2015) and a tree branch emulation font (2015). I did 12 of these. At Sideshow, he published the pen-drawn connected script Mister Brown (2013) and the retro signage script typeface Cocktail Sauce (2014).

Status Constructus

Dan Solo’s typefaces listed in decreasing order of popularity. 1837: Peter Wiegel (CAT Zentenaer Fraktur, 2014), Delbanco (DS Zentenar Fraktur), Ralph M. Stroke Dimension (2011, 3d face) Suecos Locos (2011—yummy. Typefaces from 2017: In 2017, Tropical (with Joluvian: this package contains a bold, wet-looking display script, an inky, textured brush script, and hand-penned capitals with a felt-tip look). 1932) whose creative output is so large that he deserves a separate web page.

Edwin and Ben Hunt published Fifty Alphabets (1931), Lettering of Today (1935, revised in 1941), 60 Alphabets (1935, Bruce Publishing), and 101 Alphabets (1954, 1958). The timing was perfect (no thanks to me) because there was developing at that time a renewed interest in the old types. His page looks great too. Goudy was asked to take the famous display type and make a book typeface of it. Dick Pape created 11 fonts in 2012 that are based on 101 Alphabets, all named HuntBros101Plate followed by a plate number. Fonts from 2011: Calgary Script (brush signage face), Viento (a lively version of Brisa, 2004, another font done with Angel Koziupa), Semilla (2011, a retro script based on an alphabet drawn by Ernst Bentele in 1953).

[Google] [More]  ⦿ Christian-Heinrich Wunderlich
[Typografisches Cabinet] [More]  ⦿ Closefonts
[Simon Schmidt]
Closefonts is a foundry that was set up in 1997 by Simon Schmidt (b

Status constructus

Also, many Berber verbs are both transitive and intransitive. In 2016, she allowed me to host her fonts on my site. Her company is called Hello Creative Co. Santa Barbara, CA-based SourceNet used to market school fonts, ca. He says that his inspiration comes from the female form, which always has been associated with classic typography. Her typefaces include: African Shield (2005).

[Google] [MyFonts] [More]  ⦿ Panco Sassano
Illustrator in Mar del Plata, Argentina, who created these typefaces: An Arabic simulation typeface (2014). K22 Plural (2013) is a revival of the op-art font Plural made in 1971 by Vicente Rojo for the Mexican magazine Plural. Solo’s book “Circus Alphabets, 100 Complete Fonts”), K22 Monastic (2010, based on Monastic from Victorian Display Alphabets by Dan X. He has walked away with awards from several design competitions. Courts (1900, Inland): later renamed DeVinne Recut Italic.

)] [More]  ⦿ Holly Cornell Graphic Design student at Anglia Ruskin University, who lives in Cabridge, UK. ] Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script typeface based on Imre Reiner’s London Script (1957) (in 2007, superseded by Reiner Hand, a new digitization by Rebecca Alaccari), Tiger Script (2004, based on Georg Trump’s wild brush script Jaguar done in 1967 for C. Mage Script (2013), Majel (2013, an avant-garde typeface), Majoram (2012, a hairline avant garde typeface), Majoram Serif (2012), Manga (2011, oriental simulation), Mara’s Eye (2013, based on the lettering used on Disneyland’s Indiana Jones “Forbidden Eye” ride), Marston (2013, on the title logos of numerous Spaghetti westerns), Masterforce, MasterforceHollow, MasterforceSolid, MaximalBeasts, Maximus, Mechalock (2013, based on the “Combiners” subline logo from Hasbro’s “Robots in Disguise” Transformers series), Mech Tech (2013, based on Hasbro’s “Transformers: Dark of the Moon’s” toys’ “Mech Tech” logo), Medabots (based on the Hasbro toy line), Megatron (2011, based on the logo of the live-action Transformers movies), Microgramma Extended (later replaced by Probert), Minerva (2012: based on the logos used for Shout’s releases of Transformers: Headmasters, Masterforce, and Victory), Mission GT-R (2013, based on Takara’s “Transformers: GT-R”), Mode X (2012, based on lettering from classic “Mode X” games of the early 1990s), Modern Cybertronic (2013: an alien-dings font based on Jim Sorenson’s “Ancient Autobot” script), Modern Destronic (2013: based on Jim Sorensen’s “Ancient Decepticon” script), Modern Iaconic (2014: based on the ‘runic’ letting found in Transformers: Legacy), Mons Olympia (2014, sci-fi), Montalban (2011, based on the title credits of Star Trek II: The Wrath of Khan), Moria (runes), Morse Tech, MysticEtchingsNormal. 2009: African Elephant Trunk (2009), Concrete Script, Concrete Stencil (2009, a stencil calligraphic script), Perfect Magic (2009), HT Maison (2009, signage face), HT Farmacia (2009, connected school script), HT Espresso (2008, upright script), HT Cartoleria (2008, connected script), HT Cafe (2009), Sneaker Script (2009). Akkadiska: lišānum akkadītum: Talas i: Assyrien och Babylonien: Region: Mellanöstern (nutida Irak) Antal talare: Okänt: Status: Utdött cirka 100 före Kristus. There is a fair amount of cloning, but there are also many first-time revivals (such as Lainie Day, based on a 1943 script by Bluemlein).

Status constructus

These include New Arets and Crafts Borders (20912, based on The Calendar of Golden Thoughts (Barse and Hopkins Publ, 1911). Still in 2014, Chekulaev and Akira Kobayashi (Monotype) won a Granshan 2014 award for the Cyrillic typeface SST. But in terms of opening up new markets for display type (and giving designers more control over type setting), Visual Graphics and Letraset lead the way. McGrew says: It was renamed, most appropriately, by BB&S in 1925 after that foundry took over Inland. K22 Spotty Face (2012, +Cyrillic) is a dot matrix font based on Tony Huggett’s Spotty (Zipatone). Plate 25 is an upright script.

K22 You Know Who (2004, dingbats based on Dark Mark from the Harry Potter books). Fonts from 2016: Ekberg Modern (based on lettering samples by Samuel Welo from poster designs of the 1920s), Knuckleduster, Tzaphkiel, Sarandiel, Primrose Initials, Elizabethan Script (chancery style), Zeitschrift (an art nouveau font based on the Ver Sacrum magazine), Wendingen (Dutch deco), Memento Mori (Tuscan), Rounders (art deco). John approved, but insisted on grotesques to some capital letters in the belief that they would meet a general desire for more quaintness. [Google] [More]  ⦿ Sudtipos
[Alejandro Paul]
Alejandro Paul’s Argentinian foundry is called Sudtipos. His fonts are distributed by ITF and Monotype and Precision Type. The DeVinne Press suggested a return to the simplicity of the true old-style character, but with the added features of thicker lines and adjusted proportion in shapes of letters. Robert Trogman writes: I know Dan X. [Google] [More]  ⦿ Iconian Fonts
[Dan M. In an effort to generate extra income to cover the expenses for her long-term care, I have proposed a number of, I believe, innovative ways to revamp the online font business; unfortunately, those efforts have fallen flat, primarily due to the professional font community’s abject fear of crossing the 5 million Elephant in the Room.

Akkadiska: lišānum akkadītum: Talas i: Assyrien och Babylonien: Region: Mellanöstern (nutida Irak) Antal talare: Okänt: Status: Utdött cirka 100 före Kristus

Edwin and Ben Hunt published Fifty Alphabets (1931), Lettering of Today (1935, revised in 1941), 60 Alphabets (1935, Bruce Publishing), and 101 Alphabets (1954, 1958). The timing was perfect (no thanks to me) because there was developing at that time a renewed interest in the old types. His page looks great too. Goudy was asked to take the famous display type and make a book typeface of it. Dick Pape created 11 fonts in 2012 that are based on 101 Alphabets, all named HuntBros101Plate followed by a plate number. Fonts from 2011: Calgary Script (brush signage face), Viento (a lively version of Brisa, 2004, another font done with Angel Koziupa), Semilla (2011, a retro script based on an alphabet drawn by Ernst Bentele in 1953).

[Google] [More]  ⦿ James Cianciaruso
[Ablaze Studio] [More]  ⦿ John Desrosiers
[Soft Horizons] [More]  ⦿ Jorgensen Fonts
[Per Baasch Jørgensen]
Foundry in Copenhagen which sells the fonts made by Per Baasch Jørgensen: Escale (2010, humanist sans), Applejack (2008), Drakkar (2010, runic simulation face), FF Falafel (2002, simulation of Arabic), FF Bagel (2002 simulation of Hebrew), FF Holmen (2007, 19 styles in this didone family), Escale (sans). [Google] [More]  ⦿ Christian-Heinrich Wunderlich
[Typografisches Cabinet] [More]  ⦿ Closefonts
[Simon Schmidt]
Closefonts is a foundry that was set up in 1997 by Simon Schmidt (b. View Manuel Ramos’s commercial typefaces. Typefaces from 2014: Wrath of Mordor (video game font), Gray Scale, Luthien Pixel (blackletter pixel), Gimli (Bevel Black, Inline Shadow, Inline, Bevel Shadow, Shadow), Zebroid, Hunor, Denethor Sans v2, Vasarely Squares (op-art), Waves (op-art), Ecthelion, Hast Siempre (octagonal stencil). “The name given to this typeface by Mr.

Status Constructus

[Google] [More]  ⦿ Manfred Klein
[Manfred Klein’s Fonteria]
[MyFonts] [More]  ⦿ Manfred Klein’s Fonteria
[Manfred Klein]
Frankfurt-based designer (b. Her typefaces include: African Shield (2005). Lale (2014), which won an award in the TDC 2015 Type Design competition, uses the opentype features to set up a font system for flowers. Fonts made in 2001: Carmen Caps, Crazy Harold (2001, based on a font of the same name, as illustrated in Paul E. Inside state spam site or maltreatment, click the ‘a’ In the upper the right way corner. ” According to ABZ: More alphabets and other signs by Rothenstein and Gooding, it was designed in 1952 by Enric Crous-Vidal (1908-1987) but was never produced.

Fonts from 2016: Ekberg Modern (based on lettering samples by Samuel Welo from poster designs of the 1920s), Knuckleduster, Tzaphkiel, Sarandiel, Primrose Initials, Elizabethan Script (chancery style), Zeitschrift (an art nouveau font based on the Ver Sacrum magazine), Wendingen (Dutch deco), Memento Mori (Tuscan), Rounders (art deco). John approved, but insisted on grotesques to some capital letters in the belief that they would meet a general desire for more quaintness. [Google] [More]  ⦿ Sudtipos
[Alejandro Paul]
Alejandro Paul’s Argentinian foundry is called Sudtipos. His fonts are distributed by ITF and Monotype and Precision Type. The DeVinne Press suggested a return to the simplicity of the true old-style character, but with the added features of thicker lines and adjusted proportion in shapes of letters. Robert Trogman writes: I know Dan X. In an effort to generate extra income to cover the expenses for her long-term care, I have proposed a number of, I believe, innovative ways to revamp the online font business; unfortunately, those efforts have fallen flat, primarily due to the professional font community’s abject fear of crossing the 5 million Elephant in the Room.

)] [More]  ⦿ Holly Cornell Graphic Design student at Anglia Ruskin University, who lives in Cabridge, UK. ] Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script typeface based on Imre Reiner’s London Script (1957) (in 2007, superseded by Reiner Hand, a new digitization by Rebecca Alaccari), Tiger Script (2004, based on Georg Trump’s wild brush script Jaguar done in 1967 for C. Mage Script (2013), Majel (2013, an avant-garde typeface), Majoram (2012, a hairline avant garde typeface), Majoram Serif (2012), Manga (2011, oriental simulation), Mara’s Eye (2013, based on the lettering used on Disneyland’s Indiana Jones “Forbidden Eye” ride), Marston (2013, on the title logos of numerous Spaghetti westerns), Masterforce, MasterforceHollow, MasterforceSolid, MaximalBeasts, Maximus, Mechalock (2013, based on the “Combiners” subline logo from Hasbro’s “Robots in Disguise” Transformers series), Mech Tech (2013, based on Hasbro’s “Transformers: Dark of the Moon’s” toys’ “Mech Tech” logo), Medabots (based on the Hasbro toy line), Megatron (2011, based on the logo of the live-action Transformers movies), Microgramma Extended (later replaced by Probert), Minerva (2012: based on the logos used for Shout’s releases of Transformers: Headmasters, Masterforce, and Victory), Mission GT-R (2013, based on Takara’s “Transformers: GT-R”), Mode X (2012, based on lettering from classic “Mode X” games of the early 1990s), Modern Cybertronic (2013: an alien-dings font based on Jim Sorenson’s “Ancient Autobot” script), Modern Destronic (2013: based on Jim Sorensen’s “Ancient Decepticon” script), Modern Iaconic (2014: based on the ‘runic’ letting found in Transformers: Legacy), Mons Olympia (2014, sci-fi), Montalban (2011, based on the title credits of Star Trek II: The Wrath of Khan), Moria (runes), Morse Tech, MysticEtchingsNormal. 2009: African Elephant Trunk (2009), Concrete Script, Concrete Stencil (2009, a stencil calligraphic script), Perfect Magic (2009), HT Maison (2009, signage face), HT Farmacia (2009, connected school script), HT Espresso (2008, upright script), HT Cartoleria (2008, connected script), HT Cafe (2009), Sneaker Script (2009). Akkadiska: lišānum akkadītum: Talas i: Assyrien och Babylonien: Region: Mellanöstern (nutida Irak) Antal talare: Okänt: Status: Utdött cirka 100 före Kristus. There is a fair amount of cloning, but there are also many first-time revivals (such as Lainie Day, based on a 1943 script by Bluemlein).

Status constructus

A pre-art nouveau typeface codeveloped with Gustav F. Flickr site sith images of 101 Alphabets, courtesy of Diane Zerr. Gecko (2015, a fine creamy signage script). Lohner renamed Fatima to Atlas at some point, and added Atlas Solid, still in 2001). 236, a late 19th century French embroidery booklet). Fonts from 2016: Ekberg Modern (based on lettering samples by Samuel Welo from poster designs of the 1920s), Knuckleduster, Tzaphkiel, Sarandiel, Primrose Initials, Elizabethan Script (chancery style), Zeitschrift (an art nouveau font based on the Ver Sacrum magazine), Wendingen (Dutch deco), Memento Mori (Tuscan), Rounders (art deco).

Robert Trogman writes: I know Dan X

Dan Solo’s typefaces listed in decreasing order of popularity. 1837: Peter Wiegel (CAT Zentenaer Fraktur, 2014), Delbanco (DS Zentenar Fraktur), Ralph M. Stroke Dimension (2011, 3d face) Suecos Locos (2011—yummy. Typefaces from 2017: In 2017, Tropical (with Joluvian: this package contains a bold, wet-looking display script, an inky, textured brush script, and hand-penned capitals with a felt-tip look). 1932) whose creative output is so large that he deserves a separate web page. In 2014, he updated the interlocking poster display typeface Tinsel (T26—original from 2010) and published the fantastic cartoon / comic book typeface family Bangbang.

[Google] [More]  ⦿ Iconian Fonts
[Dan M. In 2009, he added 7×12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great. Louis; it has been ascribed to N. An old Slavonic emulation typeface. With Crystal Kluge, he also codesigned the flowing connected script typeface Aya Script (2012).

[Google] [More]  ⦿ Katarzynow Graphic designer and illustrator in Poznan, Poland, who created the Cerna Hora and Shakira (Arab look glyphs) typefaces in 2009. His 2007 fashionably elegant Vogue-style sans typeface Mondän is stunning. [Google] [More]  ⦿ Michael Parson
[Typogama]
[MyFonts] [More]  ⦿ MJ Studio Designer in 2017 of these display typefaces: The Razor One (spurred tattoo font), The Razor Blade, Bahala, Ring (medieval), Qalam (Arabic emulation. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Finally, Prince of Persia (2012) is an Arabic simulation typeface based on the logo of a game by that name. Avil (1904, Inland Type Foundry).

[Google] [More]  ⦿ Manfred Klein
[Manfred Klein’s Fonteria]
[MyFonts] [More]  ⦿ Manfred Klein’s Fonteria
[Manfred Klein]
Frankfurt-based designer (b. Her typefaces include: African Shield (2005). Lale (2014), which won an award in the TDC 2015 Type Design competition, uses the opentype features to set up a font system for flowers. Fonts made in 2001: Carmen Caps, Crazy Harold (2001, based on a font of the same name, as illustrated in Paul E. Inside state spam site or maltreatment, click the ‘a’ In the upper the right way corner. Based on the text used in older Magic: The Gathering cards), PlanewalkerDings (2014), Plavsky (2013), Pokemon, Politik (2014, constructivist), Powerpuff (based on the logo of “The Powerpuff Girls” from Cartoon Network), PredaconBeasts, Probert (replaces Microgramma Extended), Protoculture (2012, based on the franchise logo of Robotech). ” According to ABZ: More alphabets and other signs by Rothenstein and Gooding, it was designed in 1952 by Enric Crous-Vidal (1908-1987) but was never produced.

Fonts from 2016: Ekberg Modern (based on lettering samples by Samuel Welo from poster designs of the 1920s), Knuckleduster, Tzaphkiel, Sarandiel, Primrose Initials, Elizabethan Script (chancery style), Zeitschrift (an art nouveau font based on the Ver Sacrum magazine), Wendingen (Dutch deco), Memento Mori (Tuscan), Rounders (art deco). John approved, but insisted on grotesques to some capital letters in the belief that they would meet a general desire for more quaintness. [Google] [More]  ⦿ Sudtipos
[Alejandro Paul]
Alejandro Paul’s Argentinian foundry is called Sudtipos. His fonts are distributed by ITF and Monotype and Precision Type. Robert Trogman writes: I know Dan X. In an effort to generate extra income to cover the expenses for her long-term care, I have proposed a number of, I believe, innovative ways to revamp the online font business; unfortunately, those efforts have fallen flat, primarily due to the professional font community’s abject fear of crossing the 5 million Elephant in the Room.

Also about Status Constructus

Which leaves my with you, dear readers. )] [More]  ⦿ Holly Cornell Graphic Design student at Anglia Ruskin University, who lives in Cabridge, UK. ] Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script typeface based on Imre Reiner’s London Script (1957) (in 2007, superseded by Reiner Hand, a new digitization by Rebecca Alaccari), Tiger Script (2004, based on Georg Trump’s wild brush script Jaguar done in 1967 for C. Mage Script (2013), Majel (2013, an avant-garde typeface), Majoram (2012, a hairline avant garde typeface), Majoram Serif (2012), Manga (2011, oriental simulation), Mara’s Eye (2013, based on the lettering used on Disneyland’s Indiana Jones “Forbidden Eye” ride), Marston (2013, on the title logos of numerous Spaghetti westerns), Masterforce, MasterforceHollow, MasterforceSolid, MaximalBeasts, Maximus, Mechalock (2013, based on the “Combiners” subline logo from Hasbro’s “Robots in Disguise” Transformers series), Mech Tech (2013, based on Hasbro’s “Transformers: Dark of the Moon’s” toys’ “Mech Tech” logo), Medabots (based on the Hasbro toy line), Megatron (2011, based on the logo of the live-action Transformers movies), Microgramma Extended (later replaced by Probert), Minerva (2012: based on the logos used for Shout’s releases of Transformers: Headmasters, Masterforce, and Victory), Mission GT-R (2013, based on Takara’s “Transformers: GT-R”), Mode X (2012, based on lettering from classic “Mode X” games of the early 1990s), Modern Cybertronic (2013: an alien-dings font based on Jim Sorenson’s “Ancient Autobot” script), Modern Destronic (2013: based on Jim Sorensen’s “Ancient Decepticon” script), Modern Iaconic (2014: based on the ‘runic’ letting found in Transformers: Legacy), Mons Olympia (2014, sci-fi), Montalban (2011, based on the title credits of Star Trek II: The Wrath of Khan), Moria (runes), Morse Tech, MysticEtchingsNormal. 2009: African Elephant Trunk (2009), Concrete Script, Concrete Stencil (2009, a stencil calligraphic script), Perfect Magic (2009), HT Maison (2009, signage face), HT Farmacia (2009, connected school script), HT Espresso (2008, upright script), HT Cartoleria (2008, connected script), HT Cafe (2009), Sneaker Script (2009). Akkadiska: lišānum akkadītum: Talas i: Assyrien och Babylonien: Region: Mellanöstern (nutida Irak) Antal talare: Okänt: Status: Utdött cirka 100 före Kristus. There is a fair amount of cloning, but there are also many first-time revivals (such as Lainie Day, based on a 1943 script by Bluemlein).

I even offered a special discount rate of 75% off retail price for full-time students of Typohile Forum. ” The design was patented under Schroeder’s name in 1893. 2016: Bio Sans, Gomme Sans, Quiet Sans, Siro (sans). Dan Solo’s typefaces listed in decreasing order of popularity. His books covered native American arts, woodworking, scouting, pioneering, jewelry making, metalworking, and calligraphy. At Will-Harris House, we find these fonts by Judith Sutcliffe: Catastrophe, Tommy, Daly Hand and Daly Text (based on the casual calligraphy of Pacific Northwest artist George Daly), Finfont (fish), Daylilies, Leaves, Flourish (calligraphic family), Greene&Greene (architectral lettering), a Hawaiian set consisting of Kiilani, Hibiscus (alphadings), and RockArt dingbats, Insecta (dings), Oldstyle Chewed, Leonardo (neat handwriting of DaVinci simulated), Petroglyphs, Schampel (blackletter), Serpent, Maskerade (masks), Tagliente (nice old-fashioned lettering and caps).

[Google] [More]  ⦿ Fereydoun Rustan Creator (b

[Google] [More]  ⦿ Manfred Klein
[Manfred Klein’s Fonteria]
[MyFonts] [More]  ⦿ Manfred Klein’s Fonteria
[Manfred Klein]
Frankfurt-based designer (b. Her typefaces include: African Shield (2005). Lale (2014), which won an award in the TDC 2015 Type Design competition, uses the opentype features to set up a font system for flowers. Fonts made in 2001: Carmen Caps, Crazy Harold (2001, based on a font of the same name, as illustrated in Paul E. Inside state spam site or maltreatment, click the ‘a’ In the upper the right way corner. ” According to ABZ: More alphabets and other signs by Rothenstein and Gooding, it was designed in 1952 by Enric Crous-Vidal (1908-1987) but was never produced.

K22 You Know Who (2004, dingbats based on Dark Mark from the Harry Potter books). Fonts from 2016: Ekberg Modern (based on lettering samples by Samuel Welo from poster designs of the 1920s), Knuckleduster, Tzaphkiel, Sarandiel, Primrose Initials, Elizabethan Script (chancery style), Zeitschrift (an art nouveau font based on the Ver Sacrum magazine), Wendingen (Dutch deco), Memento Mori (Tuscan), Rounders (art deco). John approved, but insisted on grotesques to some capital letters in the belief that they would meet a general desire for more quaintness. [Google] [More]  ⦿ Sudtipos
[Alejandro Paul]
Alejandro Paul’s Argentinian foundry is called Sudtipos. His fonts are distributed by ITF and Monotype and Precision Type. The DeVinne Press suggested a return to the simplicity of the true old-style character, but with the added features of thicker lines and adjusted proportion in shapes of letters. Robert Trogman writes: I know Dan X. [Google] [More]  ⦿ Iconian Fonts
[Dan M. In an effort to generate extra income to cover the expenses for her long-term care, I have proposed a number of, I believe, innovative ways to revamp the online font business; unfortunately, those efforts have fallen flat, primarily due to the professional font community’s abject fear of crossing the 5 million Elephant in the Room.

Which leaves my with you, dear readers. Plate 14 could be considered as a Mexican vernicular typeface. )] [More]  ⦿ Holly Cornell Graphic Design student at Anglia Ruskin University, who lives in Cabridge, UK. ] Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script typeface based on Imre Reiner’s London Script (1957) (in 2007, superseded by Reiner Hand, a new digitization by Rebecca Alaccari), Tiger Script (2004, based on Georg Trump’s wild brush script Jaguar done in 1967 for C. Mage Script (2013), Majel (2013, an avant-garde typeface), Majoram (2012, a hairline avant garde typeface), Majoram Serif (2012), Manga (2011, oriental simulation), Mara’s Eye (2013, based on the lettering used on Disneyland’s Indiana Jones “Forbidden Eye” ride), Marston (2013, on the title logos of numerous Spaghetti westerns), Masterforce, MasterforceHollow, MasterforceSolid, MaximalBeasts, Maximus, Mechalock (2013, based on the “Combiners” subline logo from Hasbro’s “Robots in Disguise” Transformers series), Mech Tech (2013, based on Hasbro’s “Transformers: Dark of the Moon’s” toys’ “Mech Tech” logo), Medabots (based on the Hasbro toy line), Megatron (2011, based on the logo of the live-action Transformers movies), Microgramma Extended (later replaced by Probert), Minerva (2012: based on the logos used for Shout’s releases of Transformers: Headmasters, Masterforce, and Victory), Mission GT-R (2013, based on Takara’s “Transformers: GT-R”), Mode X (2012, based on lettering from classic “Mode X” games of the early 1990s), Modern Cybertronic (2013: an alien-dings font based on Jim Sorenson’s “Ancient Autobot” script), Modern Destronic (2013: based on Jim Sorensen’s “Ancient Decepticon” script), Modern Iaconic (2014: based on the ‘runic’ letting found in Transformers: Legacy), Mons Olympia (2014, sci-fi), Montalban (2011, based on the title credits of Star Trek II: The Wrath of Khan), Moria (runes), Morse Tech, MysticEtchingsNormal. 2009: African Elephant Trunk (2009), Concrete Script, Concrete Stencil (2009, a stencil calligraphic script), Perfect Magic (2009), HT Maison (2009, signage face), HT Farmacia (2009, connected school script), HT Espresso (2008, upright script), HT Cartoleria (2008, connected script), HT Cafe (2009), Sneaker Script (2009). Akkadiska: lišānum akkadītum: Talas i: Assyrien och Babylonien: Region: Mellanöstern (nutida Irak) Antal talare: Okänt: Status: Utdött cirka 100 före Kristus. [Google] [More]  ⦿ Katarzynow Graphic designer and illustrator in Poznan, Poland, who created the Cerna Hora and Shakira (Arab look glyphs) typefaces in 2009. There is a fair amount of cloning, but there are also many first-time revivals (such as Lainie Day, based on a 1943 script by Bluemlein).

2012: Kingthings Frontwards, Kingthings Sans, Kingthings Kurllie (curly Victorian caps). In 2005, she started Fraugerlach. I even offered a special discount rate of 75% off retail price for full-time students of Typohile Forum. ” The design was patented under Schroeder’s name in 1893. 2016: Bio Sans, Gomme Sans, Quiet Sans, Siro (sans). Pekin is a digitization of a face, first designed by Ernst Lauschke in 1888 and issued by Barnhart Bros. Dan Solo’s typefaces listed in decreasing order of popularity. His books covered native American arts, woodworking, scouting, pioneering, jewelry making, metalworking, and calligraphy. At Will-Harris House, we find these fonts by Judith Sutcliffe: Catastrophe, Tommy, Daly Hand and Daly Text (based on the casual calligraphy of Pacific Northwest artist George Daly), Finfont (fish), Daylilies, Leaves, Flourish (calligraphic family), Greene&Greene (architectral lettering), a Hawaiian set consisting of Kiilani, Hibiscus (alphadings), and RockArt dingbats, Insecta (dings), Oldstyle Chewed, Leonardo (neat handwriting of DaVinci simulated), Petroglyphs, Schampel (blackletter), Serpent, Maskerade (masks), Tagliente (nice old-fashioned lettering and caps).

Built in 2002 to represent the state of the art both in digital and analogue recording. Speaker at ATypI 2011 in Reykjavik. Fonts based on work by Ross F. Creator of Arabic (2011), an Arabic simulation face. Stroke Dimension (2011, 3d face) Suecos Locos (2011—yummy. [Google] [More]  ⦿ Fereydoun Rustan Creator (b. Creator of an Arabic typeface (2013) and of two Arabic simulation (Latin) typefaces, Islamic Font (2013) and Omani Khanjar Font (2013). He has walked away with awards from numerous design competitions. Also, many Berber verbs are both transitive and intransitive.

Routeo (2010) is art nouveau, and Ampul (2010) simulates Arabic. Read about Werner in The Inland Printer in 189801899, in an article by William E. Recently, Knip and his brother Edgar formed a new company, Gebroeders Knip, which produces furniture and accessories in which letterforms are integral parts of the objects design. 1989), also does custom font and logo design. The Bremer Presse was bombed by the Americans in 1944. Fonts made in 2007: Aeolian, Pub Bites, Barril and Barril Doble (a digital interpretation of the 1970s Neufville font Barrio), Circle Monograms, XOXO (grunge), Safety Pin (inspired by the cover of the June 1946 Ladies Home Journal), Swizzle Script (a script based on Stylescript, 1940, Sol Hess: compare with Coronet and Trafton), New England (script), Madfont (after MAD magazine’s logo), Quince (a brush version of Klumpp’s Murray hill), Plumber’s Gothic, Gamera. Becker Series (1899, Inland Type Foundry), blackletter face. [Google] [More]  ⦿ Soft Horizons
[John Desrosiers] A font collection by this Los Angeles outfit of John Desrosiers has flooded many archives. Falmer (2013), Fhokki (2014), Flipbash (2012, an octagonal typeface that is based on the logo of Hasbro’s Bot Shots), Flynn (2011, futuristic stencil face), Fontana (2011, techno-futuristic), Fractyl (2013, used for the Predacons’ speaking bubbles in the BotCon “Ground Zero” comic in 1997), Furmanite (2011).